This was a lousy photo of a sketch- lousy because light levels are low. I have fiddled with it digitally and it helps a little with my rather bad sheep…my excuse is that they kept moving and that I did not have very long, the landscape was lovely though, it’s such a patchwork of colours.
This has been such an odd autumn; it seems to have been divided into two halves, the crisp bright extra summer of September and then the relentless rain of autumn for this month. I remember arriving at university for the first time in October and the campus was glowing with autumn sunshine that year. The roundabout in front of the hall of residence had a glorious clump of frail but bold autumn crocus …at least twice the size of their spring cousins. How much gloomier it is to make a new start in the drab rain of this autumn, if the crocus are still there they will plastered to the mud and eaten by slugs or woodlice. This morning however the rain is absent and the sun is making the leaves reflect their subtle changes against a fresh blue sky.
It’s time to plant some bulbs, I have white hyacinth to bed out and white alliums together with dwarf iris, species tulips and some extra Tulipa New Design. Both bulb orders came with free offers so I have in addition some daffodils and extra iris. For my birthday I asked for Sempervivens and a pot to put them in …I got the pot and as luck would have it Lidl were selling six packs of Sempervivens for £5. I will probably under plant with dwarf iris as the leaves will not make a squidgy mess when the flowers are finished.
I have been to London to attend the private view of the Society for Graphic Fine Art Open. It has been very interesting, it could be a society to try and join in order to exhibit on a regular basis. However there are the economics to consider…my current pictures are quite small and therefore must have a smaller price tag but membership and the hanging fees are flat rate (up to a certain point) so doing only smaller works is therefore not as cost efficient as larger works could be, on the other hand reasonably priced smaller works must sell better on average as more people will consider them affordable. It would be good to make my hobby pay some of its own costs. I loved an etching of a prawn in the exhibition- wonderful lines and sugar lift which has an effect I really love. Naturally the only plate I used it on was one which I never did get to come right!
Stags horn fern and stag beetles come to mind looking at these- drawn approx. life size on cartridge with ink, pencil and coloured crayons.
Some time back I found an odd cluster of hazelnuts which were more baroque than the normal variant. This year I found the tree that they come from and have identified it as Turkish hazel, I wondered then if it might be drawn in ink and here are some bits from my sketch book (above). Previous sketch: http://lemonaday.com/2011/11/11/hazelnut-cluster/ #232
7″ x 9″ approx
This sketch was done during a coffee break in a tiny coffee shop on the street where they hold a small market in Newport Pembrokeshire. It is a beautiful place and many thanks to friend and friend of friend who made it possible for me to visit. Thanks too for the patience of the other coffee drinkers and Ted too of course. There were lots of lovely things to be had in Newport….Cawl a lovely rich homemade soup served with bread and cheese in the pub and the pollack mackerel, crab and lobster caught and swopped by other people in the house.
size 7″ x 9 “
After noticing that I did not like the position of the aspen leaf in the previous sketch I sat on the banks of the Seine on the next day and sketched this aspen leaf so that, should I rework the landscape picture, I have a reference for the leaf. People in the house in Pembrokeshire liked the leaf as is.
size 7″ x 9″ approx
There is an odd way in which it is sometimes easier to do the best things on holiday……I think on the whole it is the lack of computer and kitchen + garden + children distractions that help.
We went to Normandy and then I went alone to Newport Pembrokeshire.
In Normandy we went to two gardens Giverny and Chateau Canon about three hours drive apart but so different. Giverny is stuffed with flowers and visitors and I do mean stuffed. There are crowds of five or six drifting across the Japanese bridge all the time. The only quiet places are those not photogenic enough to attract the groups taking photographs of each other with a Monet painting backdrop in the style of a wedding photographer. “Could we have the couple, in four poses, best friends can join them now, can we have the friends on their own now, one with the tour leader perhaps?
Best quote of the day in an American east Coast accent” I don’t know what language you are gabbling at me in, but I am not listening to any of it!”
Talking to one of the gardeners I discovered that they operate on multiple plantings: they empty the beds in November and plant up with tulips and spring stuff all quite short then in early summer they replant and later they supplement with a rich mixture of Dahlias, Tithonias, Hibiscus and so on; the grassy bits are full of Colchicums variety Waterlily featured of course! There were lush salvias of the Mexican sort and the brightest Solanum I had ever seen. *
It was far too hot and crowded to paint there, I did try but it was hopeless. However at Chateau Canon the atmosphere was calm and tranquil and the garden has progressed since we last visited, then things looked precarious after the Boxing Day storm had brought trees crashing through the walls. It is a garden made during the transition from French formality to English romanticism, the best part is a Chartreuse- a series of interlinked walled gardens which were built to grow fruit. There is still much to restore but it is beautiful. I have never seen such gorgeous rainbow trout 18 inches long in perfect clear water.
The picture is of the view along a decorative canal towards a rope bridge, they have a children’s farm and mini parc-cours along with tree houses you can stay the night in- the higher up they are the more they cost to hire! This last part is all new to us and very popular but as it is away from the gardens it does not affect them.
I should never have added the pretty yellow aspen leaf it does not compose.
* added later: Solanum wendlandii from Costa Rica I think, its showy in a good way.
This is rather nice, an old lemon has been accepted for the Annual Open Exhibition of the Society for Graphic Fine Art in London. It’s a sketch in ink and wash I did last autumn after taking lovely aunt for a jaunt to the coast at Shoreham in Sussex; it was a very stressful time as lovely aunt was becoming quite ill by that stage but she still enjoyed herself and pottered around the market entranced by the best stalls. The peppers were originally posted in April this year as I did not have posting time last autumn #218. http://lemonaday.com/2014/04/07/dry-orange-chillies-on-the-table/
The exhibition is in the Menier Gallery where they used to do something far more worthy…they used to make chocolate, sorry I am being silly they actually raise money to get art into hospitals. The exhibition runs 6th October to 18th October 2014.
Now for the rich and strange…this is not my definitive take on Begonia Escargot but I enjoyed making it especially the textured wash background as it involves several interludes for tea or coffee while the paint dries under clingfilm. #229
We went to Yorkshire for a few days- not exactly a holiday more a family outing extended for several nights. Diy Dad drove in his familiar, gritted teeth into the storm ( ex hurricane Bertha ),fashion. His father and I took turns navigating the various traffic standstills, passing through places I was only familiar with from the miners strike on the detours.
Aunt A, with help, had ordered a magnificent “cushion” of stuffed lamb from Mr Kendall her favourite butcher who had delivered it to her door. This we cooked and when the extended family in the area plus two Spanish visitors turned up it was demolished in short order, I wondered what the Spanish take on stuffing would be but they loved it . The apple crumble I made with crumble mix, blueberries and windfalls brought from home went the same way. Our cider went all over the table…too much excitement for one day.
We slept up on the moor in a remote house where diy Dad’s cousin lives; it is a beautiful place the wind whips across the moorland and the rain comes down only slightly below horizontal…caught out in it you need to find a vertical object for shelter rather than something actually over your head. The adjacent grouse moor is littered with feeders and there are hundreds of grouse as well as red-legged partridge…but the grouse do not often make their sharp g’back g’back call when you flush them from the heather. My memories from the other side of the Pennines forty years ago is of fewer but noisier grouse but who knows if I have an accurate memory-there is no going back to check.
The following day we took Aunt A in her wheelchair to Fountains Abbey and as the boys disappeared at great speed up the path towards the water gardens I began to regret putting too many things in my art bag and sat down to sketch. In doing so I missed out on tea and scones at the head of the water gardens but got to have a little wander round Fountains House which is small but perfect.
This is one of the sketches; I was taken with the two windows on opposite sides of the tower which I guess are identical. I drew what I saw but looking at it now it can’t be right unless the building is not symmetrical. I still like the offset clash of the two versions of the same thing.As I drew it I tried to break it down into manageable observable sections. A proper architectural artist would have a better knowledge of the structure and it would look more real as a result. However I am pleased with the effect of the two patterns overlaid even if the far side would be unbuildable from what was observed and recorded. It could of course be reworked into an etching, drypoint or collagraph.